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“June” fine art print

“June” fine art print

"June" studies Salt Lake City’s Big Cottonwood Canyon, from a climbing area above Mill D. The canyon in June was lush and green, with small splotches of remaining snow on the highest peaks. 

this piece is an ode to the Wasatch. 

*please read print details below for further information on this print*

Regular price $39.00 USD
Regular price Sale price $39.00 USD
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Free Shipping

All prints are packaged with love and care to ensure they make their way to you safely!

  • standard shipping time of 4-5 business days
  • small prints are shipped flat
  • large prints are shipped in tubes

Museum Quality Paper

This print paper is heavy weight and has a velvet-like texture, quality you can see and feel.

  • archival quality fine art prints
  • giclee printing technique
  • semi-smooth rag 300 paper

USA made & printed

Printed by Pigeon Printhouse, a BIPOC, family-owned print shop based in California, USA

Size Guide

Please measure your space prior to purchasing a print and reach out with any questions!

  • 1" white border is included in total size
  • unframed
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INTERNATIONAL CUSTOMERS

International orders may be subject to customs and duties fees in your home country. You are responsible for being aware of your home country's policies, and for paying any accrued fees that your package may be subject to.

behind the canvas

Born in Salt Lake City, Utah, Lizzie Wenger (b. 2001) has long been captivated by the colorful, fragile, and unique landscapes of the southwest. After her father’s passing when she was 12, Lizzie began to explore grieving and healing with the outdoors serving as a guide. Climbing, canyoneering, biking, and hiking were some of the activities that empowered her throughout this period, and continue to do so. Now an avid mountaineer, rock climber, and general action sport enthusiast, her free time is spent exploring the mountains and canyons of the west.

Lizzie’s perspective on western landscapes is playful, colorful, and inviting. Her work is intended to inspire connectivity between people and places, to share the healing forces of nature, and communicate her own relationship with the outdoors. Lizzie’s “psychedelic cubist” style has been developing for many years as she navigates different ways to see the world around her.